Blanco litopón Volver a Lista de Pigmentos
| Colores | blanco |
|---|---|
| Source | (no definido) |
| Sinónimos | |
| Componentes | BaritinaBaSO4Sulfuro de ZincZnSPigmento preparadoBaSO4 + ZnS |
| L | 91.795 |
|---|---|
| a | -0.565 |
| b | 2.4075 |
| RGB R | 232 |
|---|---|
| RGB G | 232 |
| RGB B | 227 |
Generales:
- CAPUA, R. (2014): “The obscure
history of a ubiquitous pigment: Phosphorescent lithopone and its appearance on
drawings by John LaFarge”. Journal of the
American Institute for Conservation, 53(2), pp. 75-88. DOI: https://doi.org/10.1179/1945233014Y.0000000022
- DIEBOLD, M., DE BACKER, S., NIEDENZU, P.M., HESTER, B.R. y VANHECKER, F.A. (2022): “White Pigments”. En Pigments, Extenders, and Particles in Surface Coatings and Plastics. Fundamentals and Applications to Coatings, Plastics and Papers Laminate Formulation. Cham: Springer, pp. 241-261.
- R.J.H. Clark, Raman microscopy: Application to the identification of pigments on medieval manuscripts, Chem. Soc. Rev. 24 (1995) 187–196. https://doi.org/10.1039/CS9952400187.
- N. Buzgar, A. Buzatu, A.I. Apopei, V. Cotiugǎ, In situ Raman spectroscopy at the Voroneţ Monastery (16th century, Romania): New results for green and blue pigments, Vib. Spectrosc. 72 (2014) 142–148. https://doi.org/10.1016/j.vibspec.2014.03.008.
- S.N. White, Laser Raman spectroscopy as a technique for identification of seafloor hydrothermal and cold seep minerals, Chem. Geol. 259 (2009) 240–252. https://doi.org/10.1016/j.chemgeo.2008.11.008.
- Q. Xiong, J. Wang, O. Reese, L.C.L.Y. Voon, P.C. Eklund, Raman scattering from surface phonons in rectangular cross-sectional w-ZnS nanowires, Nano Lett. 4 (2004) 1991–1996. https://doi.org/10.1021/nl048720h.
- C. Miliani, F. Rosi, A. Daveri, B.G. Brunetti, Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments, Appl. Phys. A Mater. Sci. Process. 106 (2012) 295–307. https://doi.org/10.1007/s00339-011-6708-2.
- M. Zuena, L.P. Buemi, L. Stringari, S. Legnaioli, G. Lorenzetti, V. Palleschi, L. Nodari, P. Tomasin, An integrated diagnostic approach to Max Ernst’s painting materials in his Attirement of the Bride, J. Cult. Herit. 43 (2020) 329–337. https://doi.org/10.1016/j.culher.2019.10.010.