Azul egipcio Volver a Lista de Pigmentos
| Colores | azul |
|---|---|
| Source | (no definido) |
| Sinónimos | |
| Componentes | CuprorivaítaCaCuSi4O10 |
| L | 47.69 |
|---|---|
| a | 8.59 |
| b | -48.56 |
| RGB R | 52 |
|---|---|
| RGB G | 113 |
| RGB B | 195 |
General:
- BREDAL-JØRGENSEN, J., SANYOVA,
J., RASK, V., SARGENT, M.L. y THERKILDSEN, R.H. (2011): “Striking presence of Egyptian blue
identified in a painting by Giovanni Battista Benvenuto from 1524”. Analytical and Bioanalytical Chemistry,
401, 1433. DOI: https://doi.org/10.1007/s00216-011-5140-y
- CORCORAN, L.H. (2016): “The
Color Blue as an ‘Animator’ in Ancient Egyptian Art”. En R.B. Goldman (ed.), Essays in Global Color History: Interpreting
Ancient Spectrum. Piscataway, New Jersey: Gorgias Press, pp. 41-63.
- DARIZ, P. y SCHMID, T. (2021):
“Trace compounds in Early Medieval Egyptian blue carry information on
provenance, manufacture, application, and ageing”. Scientific Reports, 11, 11296. DOI: https://doi.org/10.1038/s41598-021-90759-6
- GAETANI, M.C., SANTAMARIA, U. y
SECCARONI, C. (2004): “The Use of
Egyptian Blue and Lapis Lazuli in the Middle Ages: The Wall Paintings of the
San Saba Church in Rome”. Studies
in Conservation, 49(1), pp. 13-22. DOI: https://doi.org/10.1179/sic.2004.49.1.13
- RIEDERER, J. (1997): “Egyptian
Blue”. En E.W. Fitzhugh (ed.), Artists'
Pigments: A Handbook of the History of Characteristics. Vol. 3. London:
Archetype Publications, pp. 23-45.
- RODLER, A.S., MATTHYS, S. M.,
BRØNS, C., ARTIOLI, G., SNOECK, C., DEBAILLE, V. y GODERIS,
S. (2021): “Investigating the provenance of Egyptian blue pigments in
ancient Roman polychromy”. Archeometriai Muhely, 18(2), pp. 97-108. DOI: https://doi.org/10.55023/issn.1786-271X.2021-008
- WIEDEMANN, H. G. y BAYER, G. (1982): "The Bust of Nefertiti". Analytical Chemistry, 54(4), pp. 619-628. DOI: https://doi.org/10.1021/ac00241a001
Técnicas experimentales:
- F. Zaina, P. Baraldi, V. Cardini, M. Cavriani, P. Zannini, Archaeometric characterization of a blue ingot from the palace of Sargon II at Karkemish (Turkey) and the distribution and function of egyptian blue in the near east during the iron age, Mesopotamia – Riv. Di Archaeol. Epigr. e Stor. Orient. Antica LIV , Univ. Di Torino (2019) 181–196.
- S.E. Jorge-Villar, H.G.M. Edwards, Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy, J. Raman Spectrosc. 52 (2021) 2190–2203. https://doi.org/10.1002/jrs.6118.
- E.W. FitzHugh, R.D. Harley, Artists’ Pigments, 2002. https://doi.org/10.2307/3179793.